Dreaming of a residency
The Solway sky was the first sky that I looked up and saw as a tiny infant.
A sky big and open and I was imprinted on it.
My sky...
All last year, I had been dreaming of spending time on my own in some isolated bothy somewhere off the west coast of Scotland in order to feed my work, but then I visited the Wildfowl and Wetlands Trust site at Caerlaverock here in South-West Scotland.
And so it was, that just over a year ago, with breathless revelation, I started mulling over the possibility of making an artist’s residency for myself, down there on the Solway coast, no more than a couple of miles from where I first lived as a child.
Why had this certainty not occurred to me sooner?
I must have been seduced by romantic ideas of rugged west coast wildness, transforming soft graphite lines into dramatic Hebridean mark making.
But when at last the relevance of the sense of this place slotted into my vision for my practice, there could be no more reckoning.
By the end of 2018 I had devised a plan but it was very much dependent on securing funding from the timely South of Scotland Visual Artists and Craft Maker Awards.
I was clear.
I needed to rent accommodation for one week as near to the WWT site as possible.
I found one that was just a quarter of a mile away.
It might actually work.
The application, crafted and honed and reworked, was submitted and then I waited.
I waited and tried to forget that I was waiting.
But at last in the middle of March they said “Yes! You may go on your self directed residency!”
But my funded project would have to be carried out by the end of November 2019.
Since I was intent on spending time with the geese and swans from colder Northern climes as they overwintered on the Solway, it would leave me a fairly narrow space of time to be there.
They began to arrive in October.
I will be arriving this Friday.
A sky big and open and I was imprinted on it.
My sky...
All last year, I had been dreaming of spending time on my own in some isolated bothy somewhere off the west coast of Scotland in order to feed my work, but then I visited the Wildfowl and Wetlands Trust site at Caerlaverock here in South-West Scotland.
And so it was, that just over a year ago, with breathless revelation, I started mulling over the possibility of making an artist’s residency for myself, down there on the Solway coast, no more than a couple of miles from where I first lived as a child.
Why had this certainty not occurred to me sooner?
I must have been seduced by romantic ideas of rugged west coast wildness, transforming soft graphite lines into dramatic Hebridean mark making.
But when at last the relevance of the sense of this place slotted into my vision for my practice, there could be no more reckoning.
By the end of 2018 I had devised a plan but it was very much dependent on securing funding from the timely South of Scotland Visual Artists and Craft Maker Awards.
I was clear.
I needed to rent accommodation for one week as near to the WWT site as possible.
I found one that was just a quarter of a mile away.
It might actually work.
The application, crafted and honed and reworked, was submitted and then I waited.
I waited and tried to forget that I was waiting.
But at last in the middle of March they said “Yes! You may go on your self directed residency!”
But my funded project would have to be carried out by the end of November 2019.
Since I was intent on spending time with the geese and swans from colder Northern climes as they overwintered on the Solway, it would leave me a fairly narrow space of time to be there.
They began to arrive in October.
I will be arriving this Friday.
Comments
Have you read Stephen Rutt's book Wintering? He's a local author who just realised a book about our visiting Geese.
This time away is very exciting and daunting too.
I so much want to make the most of it x
Spotted the reference to this on F/B.
Drawn to it particularly because of where your workplace is situated.
Anything to feed the nostalgic appetite I have for this wee area from Caerlaverock over to Ruthwell …......!!
From the map, it looks like along the road after Bankend, turning off left just before Shearington along the Blackshaw road (Blayshay to we locals!!). The cottage itself seems to be at the roadend to Hollands Farm.
My first 'girlfriend' when I was about 9 or 10(!!) was Barbara Graham who lived in the Lands Farm, which is the previous turnoff. Her uncle had the Hollands Farm.
Glad to know it has a pull for you too, even although we left for Cockermouth when you would just be 5. But these things of course get inside your bones, even more so with age!!
The WWF – the Merse as we called it – and Caerlaverock Castle were the 2 main attractions for us as kids given the freedom, unfettered by parents, to roam, in a way unheard of nowadays. And in those days, they were free ….... which makes it all the more difficult for me to accept that I now have to pay to access them!!
By the way, there's a F/B page called Caerlaverock Community Association which I follow which covers 'all things Caerlaverock' and, given your blog comment :-
"Since I was intent on spending time with the geese and swans from colder Northern climes as they overwintered on the Solway, it would leave me a fairly narrow space of time to be there.
They began to arrive in October."
you might find the page interesting and helpful …... the 2 most recent videos posted on it are of geese and swans flying by in formation over the area.
Aye, I remember them well ….... and the sky is still free!!
Anyway, good luck with your project. I'm sure you'll make the most of it, both in your head and in your art.
All the best,
Kenny